Sarah Waters
Biography of Sarah Waters
Full Name and Common Aliases
Sarah Ann Waters, commonly known as Sarah Waters, is a celebrated British author renowned for her historical fiction. She has not adopted any aliases in her professional career, choosing instead to publish under her real name.
Birth and Death Dates
Sarah Waters was born on July 21, 1966. As of the latest available information, she is alive and continues to contribute to the literary world.
Nationality and Profession(s)
Sarah Waters is British by nationality. She is a distinguished novelist and has also worked as a lecturer and researcher. Her primary profession is as an author, where she has gained significant acclaim for her contributions to literature, particularly in the genre of historical fiction.
Early Life and Background
Sarah Waters was born in Neyland, Pembrokeshire, Wales. She grew up in a supportive family environment that encouraged her love for reading and storytelling. Waters attended Milford Haven Grammar School and later pursued higher education at the University of Kent, where she earned a BA in English Literature. Her academic journey continued at Lancaster University, where she obtained an MA in English. Waters further honed her expertise by completing a PhD at Queen Mary, University of London, focusing on lesbian and gay historical fiction. This academic background laid the foundation for her future works, which often explore themes of sexuality and history.
Major Accomplishments
Sarah Waters has achieved numerous accolades throughout her career. Her debut novel, "Tipping the Velvet," published in 1998, was met with critical acclaim and established her as a significant voice in contemporary literature. Waters has been shortlisted for the prestigious Man Booker Prize three times, for her novels "Fingersmith" (2002), "The Night Watch" (2006), and "The Little Stranger" (2009). Her ability to weave intricate narratives with rich historical detail has earned her a place among the most respected authors of her generation.
Notable Works or Actions
Sarah Waters is best known for her novels that vividly depict the lives of women in historical settings, often with a focus on lesbian protagonists. Her debut novel, "Tipping the Velvet," is a picaresque tale set in Victorian England, exploring themes of identity and love. "Fingersmith," another of her acclaimed works, is a gripping tale of deception and intrigue, set in the same era. "The Night Watch" offers a poignant look at life during and after World War II, while "The Little Stranger" delves into the supernatural within a post-war British context. Waters' novels are celebrated for their meticulous research, compelling characters, and the seamless blending of historical and fictional elements.
Impact and Legacy
Sarah Waters has had a profound impact on the literary world, particularly in the representation of LGBTQ+ characters in historical fiction. Her works have opened doors for more inclusive narratives, challenging traditional historical fiction's boundaries. Waters' novels have been adapted into successful television series and films, further cementing her influence in both literature and popular culture. Her ability to craft stories that resonate with a wide audience has made her a pivotal figure in modern literature.
Why They Are Widely Quoted or Remembered
Sarah Waters is widely quoted and remembered for her unique ability to bring historical periods to life through the lens of marginalized voices. Her exploration of themes such as identity, love, and societal norms resonates with readers across generations. Waters' eloquent prose and intricate storytelling have made her a source of inspiration for both readers and fellow writers. Her works are often cited in discussions about the evolution of historical fiction and the representation of LGBTQ+ characters in literature. Through her novels, Sarah Waters has not only entertained but also educated and inspired, leaving an indelible mark on the literary landscape.
Quotes by Sarah Waters
Sarah Waters's insights on:
What did she want? Frances couldn’t tell. She wasn’t sure she cared any more. There had been too much dancing back and forth. The night had been over-stretched: it had lost its tension.
Kitty’s gone, Flo. Like Lilian. Believe me, there’s more chance of her coming back!’ I began to smile. ‘And if she does, you can go to her, and I won’t say a word. And if Kitty comes for me, you can do similar. And then, I suppose, we shall have our paradises – and will be able to wave to one another from our separate clouds. But till then – till then, Flo, can’t we go on kissing, and just be glad?
He was just the sort of man to have faith in leeches. Leeches, and licorice, and cod-liver oil.
I’m sorry you aren’t as brave as you thought you were. But don’t punish me because of it.
There had been romances in my schooldays – but all my friends had had those; we were forever sending each other Valentines, writing sonnets on the prefect’s eyes... This wasn’t like that. It was a thing of the heart and the head and the body. A real, true thing, grown-up.
The best thing to do was to brazen it out, throw your head back, walk with a swagger, make a ‘character’ of yourself. It was tiring, sometimes, when you hadn’t the energy for it; that’s all.
He would be cruel indeed, to put a passion in her, and then to punish her for feeling it.
Was this, she thought, what happened when one made friends with a married woman? One automatically got the husband too? – like a crochet pattern, coming free with a magazine?